La Gloire Des Canailles (The Glory of Scoundrels) is a 1967 war film directed by Alberto De Martino and starring Frederick Stafford, Daniela Bianchi, John Ireland and Curd JÃrgens. The film is set in Holland in the spring of 1945, during the final confrontation of World War II between the Allies and the Nazis.
The plot follows three American soldiers who escape from a German prisoner of war camp and join forces with a Dutch resistance leader to steal a treasure of diamonds and secret documents from the Nazi headquarters in Amsterdam. However, their motives are not purely patriotic, as they plan to keep the loot for themselves. Along the way, they kidnap the wife of a German general, who turns out to have a hidden past.
The film is a mix of action, adventure, drama and romance, with some twists and turns. It features scenes of combat, explosions, chases and escapes, as well as some humor and irony. The film also explores themes such as greed, betrayal, loyalty and love in times of war.
La Gloire Des Canailles was co-produced by Italy, France and West Germany, and shot on location in Holland. The film was inspired by the success of The Dirty Dozen (1967), and used some footage from another war film, Sur ordre du FÃhrer (1968) by Enzo G. Castellari. The film was scored by Ennio Morricone and Bruno Nicolai.
The film was released in Italy as Dalle Ardenne all'inferno (From the Ardennes to Hell), in Germany as Und Morgen fahrt ihr zur HÃlle (And Tomorrow You'll Go to Hell), and in France as La Gloire des canailles or Des Ardennes Ã l'enfer (From the Ardennes to Hell). The film was also known as Dirty Heroes in some English-speaking countries.
La Gloire Des Canailles is a rare example of a \"macaroni combat\" movie, a subgenre of war films made in Italy in the late 1960s and early 1970s. The film is not widely available on DVD or streaming platforms, but it can be found online under various titles and formats.
The film received mixed reviews from critics and audiences, who praised the cast, the music and the action scenes, but criticized the plot, the editing and the use of stock footage. Some reviewers also noted the similarities and differences between La Gloire Des Canailles and other war films of the same period, such as The Dirty Dozen, The Guns of Navarone and Where Eagles Dare.
The film was also controversial for its portrayal of the Nazis, the resistance and the Americans, as well as for its depiction of violence and torture. Some viewers found the film to be realistic and anti-war, while others found it to be sensationalistic and pro-war. The film also raised questions about the morality and ethics of war, especially regarding the motives and actions of the protagonists.
La Gloire Des Canailles is a film that can be seen from different perspectives and interpretations, depending on the viewer's background, preferences and expectations. It is a film that challenges and entertains, that provokes and fascinates, that shocks and amuses. It is a film that reflects the complexity and ambiguity of war and human nature. ec8f644aee